June 17 was the finale of the 6th annual Toronto arts festival called Luminato. This year is also the bicentennial anniversary of the War of 1812 which has sparked interest both north and south of the border. It's a war both sides think they won. In Canada it's remembered because we got to DC, burned down the White House and repelled an American invasion. In America it's remembered for the defence of Fort McHenry in Baltimore which inspired the writing of their National Anthem. So I was eagerly awaiting the results of a co-commissioned piece from the TSO and Baltimore Symphony Orchestra (BSO) by Philip Glass, a native of Baltimore. How would this play out with both sides thinking they're the victors? How patriotic a piece would an American write and would it be something Canadians could really care about? But really there isn't anything wrong with each side winning. No one really wins in a war, and it ended with each side occupying some of the others territory which was ultimately given back, so let's celebrate that both sides developed a stronger national pride and call it a day.
An added quirk was that this piece was receiving a joint world premiere. Not that you'd know that from the BSO promo material, although various other US articles have mentioned the TSO. But the 7pm BSO concert of other American music included the Glass piece as well. It would have been fun to be a fly on the wall to see if the TSO was mentioned at the BSO concert. They were in Toronto.
After welcoming and thank you speeches from Luminato people, and concert master Jonathan Crow (very cool to see him back again for this concert) led the orchestra tuning, the concert opened with Aaron Copland's "Fanfare for the Common Man". Eventually the camera crew figured out what shot showed the brass so their image finally made the screen. Hidden at the back of the orchestra with all the audience on a rather flat ground limited our view substantially. There were a few brief imperfections, but I love this piece and it didn't hurt the overall grandeur of it.
|(From Luminato facebook page)|
As the soldiers marched away CBC personality Tom Allen announced them as the "Fort York Honour Guard ladies and gentlemen, keeping out invaders for 200 years". And we're very thankful they did :)
Tom Allen, one of the highlights of the evening with his humorous and information introductions, returned with an invitation for the audience to imagine: To imagine that we were to go home after the concert and find a job offer waiting for us. The job is in New York and pays six times our current salary. So we go, and then end up leaving for a church organist position in Iowa (I wonder if it was River City?). This is what Dvorak did. He discovered he didn't like city live and ended up in Iowa where the entertainment one summer was an Indian Medicine Man Snake Oil type show. He went to every one to absorb the music and incorporated the themes into his most popular symphony. That would be Symphony No. 9 "From the New World". The TSO then played the 4th movement.
Moving onto some Canadian music, the first piece was by Malcolm Forsyth (incidentally the father of NAC Orchestra principal cellist Amanda), and was inspired by his first trip to the barren beauty that is Canada's far north. The orchestra played "The Dance" from his orchestral suite Atayoskewin which is the Cree word for "sacred legend". Youtube lacked a quick search result for the piece, but the NAC musicbox came through. Take a listen here. At times it reminds me of Copland's "Rodeo", particularly the first few bars.
|View of audience from the back of the stage|
(from Luminato facebook page)
Maestro Oundjian dedicated the next piece to all the cyclists who go wizzing around the city. Less than 4 bars in I figured it out as "The Flying Theme" from ET. Very fitting :)
Tchaikovsky's "1812 Overture" is a masterpiece (well in my opinion). Mr. Allen began by describing an invasion by a force that thought they'd get in, meet little resistance, take over, and be out of there by winter. I, along with others I'm sure, assumed he was talking about the War of 1812, until he continued by saying that was what happened with France and Russia. France thought it would be no problem to take Moscow, and Tchaikovsky's piece is celebrating the Russian defeat of Napoleon and his army. "But the parallels are similar. So when you hear "La Marseillaise" that's them, and the bold brassy trombones, that's us!" I'm not sure if the TSO played the full version (the recording I have runs 17 mins and includes the rarely performed vocal part), although it sounded like they did, and it didn't feel like 17 mins. I'm also not sure if the carillons in the final section were recorded because I couldn't see if there were chimes on stage, but if it was live they were perfect. Often I find the sound of the bells random, but this fit and the balance was superb. They got to the climax and would you believe it FIREWORKS shot off behind the stage! Who needs military cannon fire? These were impeccably on the beat, and could not have have been better! The finale even had a few extra shots that exploded in the air rather than just the single straight up shooting star type. A Capitol Fourth (which concludes with an abridged version of the "1812 Overture" every year as the fireworks begin) could not have done it better!!
|1812 Overture Finale Fireworks |
(from Luminato facebook page)
I hope concerts like this become a tradition with Luminato and the TSO, there was a great turnout, great music, and thankfully the rain almost held off, but the few sprinkles only resulted in the opening of umbrellas, people didn't leave. A testament to a thrilling evening of music.